Wear and tear
Humidity, heat, shocks, cleaning, load and opening frequency
Appearance matters, but so do moisture, cleaning, load, span and repairability. Our recommendation brings those factors together before samples are approved.
We do not recommend finishing in isolation. The same look may require a different base, edge or hardware depending on the room and frequency of use.
Humidity, heat, shocks, cleaning, load and opening frequency
Colour, texture, grain, sheen and relationship with floors and walls
Ease of cleaning, repair and performance over time
We prioritise what adds value to use and avoid unnecessary extra costs
A manager will review the use, the space and your references to guide you on the appropriate materials
This guide explains the common possibilities. Availability, brand, collection, tone and final specification are confirmed with your project manager
A versatile solution for interiors of wardrobes, kitchens, living rooms and furniture for daily use. They offer a wide variety of colours, woods and textures with easy maintenance
The manager confirms adequate quality, thickness, edge and resistanceAllows smooth surfaces, custom colours and machined fronts. It is common when looking for a continuous, matte or satin composition, with greater design freedom.
The type of lacquer and the preparation are defined according to the piece and its use.It provides grain and natural warmth with greater dimensional stability than a solid piece. It is suitable for living rooms, bedrooms, offices and projects with a more architectural presence.
We select species, cut, tone and varnish togetherIt is used in fronts, structures, mouldings, countertops or details where its resistance and character add value. Its natural performance must be considered from the design
The project manager explains where it makes technical and economic senseHigh resistance surfaces for areas exposed to friction, humidity or frequent cleaning. Available in colours, mineral designs, woods and technical finishes
The specification depends on the room and the support usedStable structural board with characteristic edge, useful in certain technical solutions, visible interiors and furniture with contemporary appearance
Class, thickness and finish are assessed for each applicationThey complement display cases, doors, shelves, dividers and decorative details. They can provide lightness, reflection, transparency or contrast within the same piece of furniture.
Safety, weight, fixing and maintenance are reviewed before defining themHinges, guides, lifts, sliding systems, lighting and interior organisation determine the operation as well as the exterior finish.
The manager sizes them according to load, opening and frequency of useYou don't need to know brands or specifications. With photographs, a reference and an idea of use we can begin a practical material review
We review the stay, approximate measurements, use, visual references and priorities
We filter options by humidity, resistance, cleaning needs, weight, light and budget
We explain relevant differences and propose comparable combinations
Finishes, edges, hardware and details are defined in the final proposal
The exact answer depends on the type of furniture and the conditions of the home.
Yes. It helps us understand the appearance you have in mind. The manager will translate this reference into materials, thicknesses, finishes and systems that can be manufactured and installed in your space.
Not necessarily. Kitchen, bathroom, bedroom and living room have different demands. We can maintain a coordinated aesthetic using different specifications where necessary
Representative samples are compared once the project has a clear technical and visual direction. This is how we compare truly compatible alternatives and not complete catalogues without context
It has an influence, but so do the measurements, the number of modules, the fittings, the machining and the fitting. The manager will tell you where it is worth investing and where there is a more efficient alternative
Some projects arrive with plans and a finish schedule; others begin with phone photographs. Both can progress well when the assumptions are made visible early.
A sketch is welcome, but it is not compulsory. Room photographs, retained finishes and a realistic account of day-to-day use usually reveal enough to separate the immediate need from ideas that can wait.
One useful photograph shows the whole wall; another shows the awkward detail. Together they say more than a tightly cropped inspiration image.
There is no benefit in collecting dozens of dimensions before the furniture has a clear job. We first decide what needs confirming, then measure those junctions carefully.
Where another trade will move a service or finish a wall, the responsibility and timing are written down. Measuring an unfinished condition without that note would create false confidence.
A convincing sample is one that still makes sense beside the floor, doors and light that will remain. We also confirm what supports it, how edges are finished and which hardware carries the load.
If two options are genuinely equivalent for the brief, we say so. Material advice should reduce uncertainty, not invent distinctions to justify a longer specification.
Floor level, lift size, stairs, parking and tight turns are checked before module sizes are approved. Dividing a piece well is a design decision; discovering the need at delivery is not.
For houses, we may be planning several floor changes. For flats, the lift and corridor often set the practical limit. Neither should be left to the delivery team to discover.
A price range is most helpful when it points to a realistic construction level. The final quotation then records the approved materials, hardware, delivery and fitting rather than relying on verbal assumptions.
For a sound material specification, we can identify the decision that drives most of the cost and explain it before smaller choices distract from the total.
The aim of the first exchange is simple: give the project a sensible direction without manufacturing certainty that does not yet exist.
If the project is not ready, a clear pause can be the professional answer. It is better than booking a survey that will need repeating after the room changes.
A manager will review the use, the space and your references to guide you on the appropriate materials